The assassin, as seen in that installment, wore a suit of medevial armor as he snuck around Teabolo’s castle.
Yasuhiko revisits some of his original flashback material here, namely a scene from volume 5 in which the Kycilia sent an assassin for Char/Casval/Edouard while he and his sister lived with Señor Teabolo on Earth. But while Lalah’s death is certainly on both their minds here - Amuro wants to kill Char for causing him to inadvertently kill her while Char wants to kill Amuro because he believes the other is not worthy to speak her name - there’s much more to the fight in Char’s mind this time around. Amuro pursues him into Ghiren’s private quarters, glimpsed in the previous volume, and in short order, just as in the original animation, the pair begins a duel with a set of Ghiren’s antique sabers. Here it’s just something that happens, and not even Amuro seems too shaken up about it.Ĭhar, on the other hand, is quite shaken, though not due to the destruction of his Zeong. But I seem to recall that the TV series (and subsequent movie adaptation) made this out to be the big deal one would expect from the destruction of the series’ title device. It’s not necessarily for lack of trying on Yasuhiko’s part he certainly draws it well.
GUNDAM: THE ORIGIN’s final volume begins exactly where the last one left off: Char and Amuro have annihilated one another’s mobile suits within A Baoa Qu, but both escape the damage unscathed and Amuro pursues Char deeper into the fortress.įor whatever reason, the destruction of the Gundam doesn’t feel as momentous here as in the original animation.
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